![]() I've heard far too little of the most recent cycles. But there are SO MANY highly recommended sets I've never heard or haven't heard enough of to judge. Maybe there's a spot for mixed feelings as well. I suppose the easiest summation is a list of those I definitely liked, and those I didn't. In thinking about this, I defer to someone like Merl whose taste I trust and who has listened to more Beethoven quartet cycles than I even dream of. Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. I have listened many times and they are well worth the effort. The Cleveland Quartet from the 70's were reasonably well known and these recordings are long OOP. Another poster made these available legal and free to download. There's also Brahms, Mendelssohn, Schubert, Haydn, Dvorak, even some Ives! These zipped files are in mp3 (320 kbps) format, essentially untouched sonically except for declicking and some LP noise reduction applied.Īnyone who might be interested, feel free. If you go to this link on my Google Docs, you'll find folders for all the early Cleveland Quartet RCA LP transfers we made, including the Beethoven Cycle (subdivided into folders for the Early, Middle and Late Quartets). Don had never heard the recordings himself, so we burned them all to CDs for him, and then made available the transfers to NEC students first, but now to anyone who wants them. Some years ago, we tracked down as many of the original Cleveland Q's RCA recordings that we could find, including the entire Beethoven cycle, and transferred them. Sibelius' TEA-TIME quartet MUSIC in Dminor Voices Playedbyintimal'theBUDAPEST. Same for other rep they recorded for Victor.Īs it turns out, my younger son Brian did his BS in Violin Performance at the New England Conservatory as a student of Donald Weilerstein, the Quartet's founding 1st Violin (and has continued some studies with him as an Artist Diploma student at Juilliard). Gramophone records Electrical recordings ' Time Signal timings are given. They were never reissued in any format that I've been able to determine. The CQ also recorded a full Beethoven cycle starting in the 70s or so, but they were ONLY released on RCA LPs. Read honest and unbiased product reviews from our users. Itullian-those are the later CD series of Cleveland Quartet recordings, with a change or two in the Quartet's personnel. The charming early B flat Quartet and the stirring, masterly Voces Intimae are the chief works in this anthology, vibrantly and idiomatically played by the Tempera Quartet, a first-rate young. Find helpful customer reviews and review ratings for Sibelius: Complete String Quartets at. This is a splendid issue.Quote Originally Posted by Bill H. By the time of the Second Quartet, Smetana’s final madness was almost upon him the Dantes characterise its rapid mood changes with a cold intensity. The Dantes widen their range of tone and rubato to encompass the youthful enthusiasm of the first two movements, the happiness of remembered love in the third, and the idiomatically played folk-inspired music in the last, interrupted by a quiet but terrifying high note signalling the appalling onset of deafness. Smetana’s First Quartet wears its heart more on its sleeve, as its autobiographical subtitle suggests. It contains some striking anticipations of the composer we know and love, particularly in the harmonies of its slow movement and in its imaginative use of string texture (pizzicato especially). 4 (1890) is quite lovely and well worth hearing. In the faster movements, they capture the unsettled, desperate character of the music, and even the final arrival at D minor is appropriately inconclusive. David Hurwitz Artistic Quality: 9 Sound Quality: 9 Sibelius’ early Quartet in B-flat Op. They save the wider tonal and emotional range for the central Adagio, and, by a combination of exactly judged dynamics and pacing, make the music rich yet uncomfortable. ![]() ![]() Their tone remains lean, and they don’t milk the dynamics. In Voces Intimae, that’s set up perfectly in the opening question and answer: there’s no grand statement, or positivity here, and that’s reinforced by the obsessive way that Sibelius turns around his limited material, and by the Dante Quartet’s refusal to glamorise the music. These quartets all come from composers wrestling with personal problems: for Smetana his deafness, and for Sibelius his depression. WORKS: Sibelius: String Quartet in D minor (Voces Intimae), Op.
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